I’m spent more time than I want to admit (at least to my writing self) working through the basics of creating a reasonable vocal track. God, I’m even using terms like “vocal track” and “gain.” Don’t be fooled. I am stilling scraping forward to even a rudimentary understanding of what the heck I’m actually doing.
This then is my final pass. I’ve recorded half of J. M. McDermott’s “Death’s Shed,” editing as best I can. I will record the second half this weekend, using my current level of middle-school-boy finesse.
So what are my current “best practices” and why am … Read moreRead more