As part of a grad-school assignment, I’ve become embroiled with the world of podcasting. I spent Saturday morning shut in our mudroom, surrounded by Tom’s piles of junk (old clothes, grass-smeared sneakers and more shopping bags than any one family needs). I sat on a step I’d covered with a torn t-shirt while my laptop rested on top of a large plastic bin full of dog food. In other words, my first studio.
Our two cats were fascinated. They spent most of my recording session scratching at the closed door. Other than that, it worked out pretty well.
Play to … Read more Read more
I’m spent more time than I want to admit (at least to my writing self) working through the basics of creating a reasonable vocal track. God, I’m even using terms like “vocal track” and “gain.” Don’t be fooled. I am stilling scraping forward to even a rudimentary understanding of what the heck I’m actually doing.
This then is my final pass. I’ve recorded half of J. M. McDermott’s “Death’s Shed,” editing as best I can. I will record the second half this weekend, using my current level of middle-school-boy finesse.
So what are my current “best practices” and why am … Read more Read more
Delia Sherman and I chat about her novel, The Freedom Maze, her family history and why it took over eighteen years to get this particular book published. Actually we chatted about a month ago, but all that technical stuff takes a little time. Finally, the interview is up. It’s the very first episode in my Small Beer Press podcasting series and the very first podcast I’m filing under Listeners Welcome. I have to say I am very excited, though I suppose that could be the daily dose of caffeine I’m currently consuming. Nah. This really is the biggest of … Read more Read more